The past couple of years at FiLMiC have been a period of innovation and growth, with a spirited drive toward creating the best mobile filmmaking experience possible for our community. We’ve explored new technologies and new practices, and now we’re excited...
If you shot your project with FiLMiC Pro, we encourage you to include one of the following “Shot on FiLMiC Pro” bumpers in your end credits. Just download one of the four custom clips and you’re all set! 1080p – White Background 1080p –...
We are proud to bring you a world-first with the release of FiLMiC Pro v6.17: ProRes support for iPhone 13 Pro and 13 Pro Max! ProRes can be selected under Settings –> Resolution by scrolling down to the format picker. Choose one of four flavours of ProRes: •...
We’re thrilled to announce our sponsorship of the 2022 International Mobile Film Festival of San Diego! Submissions are now open via FilmFreeway! Click here to learn more and enter your film! From the press release: “S. Botello Productions™...
Did you know that Cinematch — the camera matching plugin from the makers of FilmConvert — now supports FiLMiC Pro Log V3* captured on 12 series 10-bit capable iPhones? Quickly match your iPhone 12 footage shot in FiLMiC Log V3 to cameras from Blackmagic, ARRI, RED,...
Mobile Filmmaking with Cassius Rayner returns with a brand new learning series: “The Making of DEAD EYE,” a behind-the-scenes look at Cassius’s latest “shot on FiLMiC Pro” short thriller, DEAD EYE! Episode 1: Gear Each episode takes a...
